In early May, my team and I went to Switzerland to shoot my new project, a drama film about childhood and grief, following the story of an eight year old kid who helps his mother go through the loss of her own mother all the while struggling with depression.
The film is produced by Tiziana Giammarino, a Swiss-American indie film producer and screenwriter establshed in Los Angeles, CA. She was determined to go back to her sources with Resilience and found the perfect place for me to transform her story into a film. We were also lucky to work with such talented actors, Jesse and Justine whom you will see in the pictures below.
I was once more accompanied by my filmmaking team, my wife and production designer Laura Katz, my director of photography Maria Lis, Etienne our sound engineer (and actually part time gaffer) as well as Aranya Singh, our camera assistant.
In september, Laura and I went scouting in North-Eastern Korea for our new short, Above the Mist. We found the perfect place for it, on a lake fishing village with floating houses!
We are now in pre-production and will be shooting the short next week. Check our crowdfunding campaign if you want to know more :) !
This post is designed to help indie filmmakers to decide upon which online platforms to use to send their films to festivals. The list below is based on my experience and may not reflect the full reality.
The idea behind these platforms is to replace the outdated and expensive method of sending films. Traditionally, the only way to submit your film to a festival implied making your own VHS, Dvd or Bluray and then sending them by mail. This was, and still is, a very lucrative business! Which is why many filmmakers and entrepreneurs around the world have sought to find a digital alternative to it. Here below are a few popular ones:
- Withoutabox, founded in 200o in the US by David Strauss and Joe Neulight, was the first online platform. Today, it remains the most conventional way of sending one's film to festivals although they are no longer alone. On the plus side, they have recently made efforts to renovate their interface, and are an effective and safe route for your films to festivals all around the world. However, on top of being very costly, I feel that Withoutabox is too much oriented on major film festivals and doesn't offer many middle range festivals that indie filmmakers thrive on.
- Filmfreeway, created in February 2014 by Canadian Zachary Jones, is today in my opinion the most convenient and altogethercheapest platform. Starting off with a nice interface, Filmfreeway offers a very fast set-up - literally allowing anyone to enter the page and submitting their film within minutes. With a big list of festivals, one of Filmfreeway's strength is to a offer a wide array of festivals, small and big, free and expensive. It is also theonly website that does not take any commission to send films to festivals! Their other advantage is a precise and customizable follow-up regarding submitting status and acceptance status. On the cons, Filmfreeway misses many of the big festivals, and I found that they were mainly concentrated on North American festivals.
- Festhome, created in Spain, is a great alternative, andquite cheap. Although not the cheapest, Festhome boasts a great solution for sending films with their "distribution pass", allowing to send your film unlimitedly for a yearly subscription of 40 euros (not much if you consider some platforms ask 2-3 euros for each submission!). One of the things that makes Festhome an essential in my opinion is their coverage of non-English speaking countries. This is particularly true for Southern European and Latin American festivals. Another plus, is their sophisticated statistics page, that really shows how well your film is doing and where (including countries, costs, time, etc...). Finally, they now have a great time-saving tool which actually prevents you from submitting to the wrong festivals, and by that I mean if the film length is incorrect, or the theme, or the country of residence. And I have nothing particularly bad to say about it!
- Filmfestivallife, other wise known as FFL, was created in Germany and is a trendy platform. In comparison to the other platforms, Filmfestivallife connects with its filmmakers and accompanies them on social media. Moreover, even though individual submissions are quite pricy, they've recently implemented a great payment plan for unlimited submissions to compete with the other platforms above (5 euros per month - 13,50 euros every 3 months - or 48 euros a year). In my opinion, the main strengths of this platform reside in its user interface and how they integrate the filmmaker's side to the festivals and more importantly how they curate festivals and only provide the most legitimate ones. For instance, it's possible to read information about the festivals and give them a rating. Power to the filmmakers!
- Reelport, from Germany, may look a bit outdated but it is still very relevant for shorts. Boasting a small list of festivals, Reelport only offers interesting and/or big festivals. I feel that the platform curates the festivals so as to only offer the best to filmmakers, and that's good because their submission price is costly (2 euros per submission). They are particularly good at finding middle-range North and Eastern European festivals that you will not find everywhere else.
- Uptofest, created in Spain, is a useful platform forEuropean festivals. It boasts a good list of festivals and has a tool that automatically matches your film to specific festivals. On the downside, they do not update the submission status. Also, I've had some bad experiences uploading my film there and even though the team was helpful, I felt there were some issues with their interface. It's only for shorts.
- Shortfilmdepot, created in Europe, is a safe platform just for shorts. It boasts a list of only middle-range towell recognized festivals such as schnit, bogota shorts, trouville as well as more recent festivals like Asiana. You know if your film is selected, it is really good news. On the cons, the platform has a very small list of festivals, making it only a complimentary platform when compared to the others.
- Last but not least, Filmfestplatform from France, is not my cup of tea. I only use it because it is essential for small to middle-range festivals in French speaking countries. Of course, the other platforms above offer French festivals, and renown French festivals such as Cannes and Deauville have their own submitting platforms, but this platform allows you to find festivals from small cities, and some of these festivals don't even have a website! And although it has a nice interface, you'll understand what French bureaucracy means. They're going to say they're for modern filmmakers, professionals and amateurs alike but then most of their festivals will want to receive a dvd as screener and then they usually require one or two DCP, though many of these see themselves as truly "independent". The staff is not particularly helpful and to be honest some of their festivals think they are top-notch but often they are not even famous outside of their own region (not surprising from France I guess). But I will give them credit for giving an opportunity to foreign filmmakers to find access to remote French festivals (there's an English version).
Anyway, that's it for the platforms that I've used. I also know about a few more that seem to be good, especially the Australian Shortfilmcentral or Clickforfestivals. There is also Movibeta and FestivalFocus for you to check!
Following the Kwebfest award, I was invited along with a couple of local filmmakers to come in for an interview with the M magazine! The other speakers were filmmakers Aurelien Laine, Shannon McClain Robertson and comedian Jesse Day.
On July 30th and 31st of 2015, my partner and I attended the Kwebfest, the first web-series festival of Asia where we were nominated for Best horror and Best actor. We were honoured to receive the award for "Best horror" at their closing ceremony!
Today I was interviewed for the TBS radio station Mainstreet (@1013mainstreet) along with director and Kwebfest founder Young Man Kang (@youngmankang) about my nominations at the upcoming festival this week.
My project, "Horla" was nominated as "Best Horror" and "Best Actor" (Tristan Pelissier @tristanium5) and will be in competition thiscoming thursday and friday (July 30th-31st) in Asia's first web-series festival!
Last week, Laura and I accompanied the Colombian ambassador (of South Korea) to Hwacheon, one of the outposts of the South Korean army and of the Allied forces of Nato in the demilitarized zone. It was pretty intense as you can see below.
They even had pictures of holes made by the shells of enemy fire, of the two times (Estimated guess) that soldiers from the other side had targeted them. Well I can say the day started being quite patriotic, pro armament and so on but nothing prepared us for what came next (and then again what else would you have expected from a Korean -Colombian gathering by the North Korean border. A soccer game!
We went to a camp mostly made of recent military recruits and they were supporting their own mini Korean Team against a Colombian soccer team made of the 10 Colombians that are in Korea and can play soccer! See pictures from my partner Laura Katz (@laurakatzzz).
I couldn't believe it! The whole stadium was cheering, we watched a friendly soccer game, albeit the tanks positioned on each side of the field. It was incredible to see all this optimism given what they have to deal with only a few kilometers away.